lecture: technology as garbage

I'm not sure how this relates to our ever-shifting development, but this may be interesting. I have a class this day so I won't be able to attend, but if anyone would like to pretend to be me, I am a museum member. (You can also then check out the amazing Disquieted exhibit, which may relate to our new show too, as art tends to related to the very thing you are thinking about. But I digress....).

Between Science and Garbage

Saturday, March 13

2:00 P - 3:00 P

Between Science and Garbage is the title of both an internationally acclaimed performance and an award-winning film made by Bob Ostertag and his partner in Living Cinema, Pierre Hébert. It is also the title of a chapter in Ostertag’s new book, Creative Life: Music, Politics, People, and Machines, a collection of essays that address dilemmas faced by artists whose work is simultaneously engaged with and critical of digital technology. In his lecture, Ostertag will explore the notion that today’s cutting-edge technology is tomorrow’s garbage. Composer, performer, historian, instrument builder, activist, and a blogger for The Huffington Post, Ostertag is currently Professor of Technocultural Studies and Music at the University of California at Davis.

$5 members, $12 non-members unless otherwise noted. Seating is limited. Advance tickets available online and on-site.

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Uncanny Valley mandate:

Let’s play with the audience’s memories and with our own memories, and use the mechanism of live theatre to identify and explore memory as the very essence of what makes us human.

Theatre is a time-based art, a memory machine, let us use it not to show or tell, but to strive for the impossible goal of manipulating and inhabiting memories on stage with an audience. Let us do this to spark our own memories, and to trigger those of the audience, in order to provoke reflection about the slipping away of time, and the relishing of present moments that will soon become past memory. Let us do this in a kickass psychological, sonic, poetic, and physical way that can only be done onstage via song and spectacle.

In Uncanny Valley, we create a radically new theatre experiment that is based on the process and intoxication of the phenomenon of memory.

EVOLVING CONCEPT (now outdated)

We are in a place and time when we don’t really know who we can trust. There’s something scary and supernatural playing out in regular life. You can’t see it, you can’t prove it, but you know it’s there. What would it mean to escape the anxiety of your own mind into a different reality? You would need to find a place to escape to. A beautiful pink world, a snowy world, the coldness of the desert, the emptiness of space and a little blue dot. What a beautiful thing to be isolated in a vast landscape, filled with wonder, and you don’t feel lonely at all.
Hand2Mouth presents a speculative performance in 4D. It’s more magical if you don’t know how it works.

CONTENT

- Anxiety & loneliness
- Escapism
- Creating specific new worlds -- multiple realities
- Primitive/everyday/simple vs. Technological/supertech/complicated
- Technology & tools: simple / complicated, human relationship, incredible things it allows to happen.
- Fundamental humanity, human-ness -- focusing on this, not on the aliens
- Little Prince
- Pregnancy

FORM

- Episodic structure: what links the worlds is slowly / surprisingly revealed
- Throughline, elements or journey that links stories
- Creating specific new worlds -- multiple realities
- Sensuality, hyper visual, trippy
- Pushing to a level of intensity, proficiency (physically, performatively)
- Extremes of quiet, extremes of loud -- dychotomies between different extremes
- Bending reality -- bread skitters across table
- Surprising audience: sudden reveals, cliffhangers, messing with expectations
- Grand opera